Drew Roscoe
It's evening to the point that the sun
has been down for a while now and street lamps and porchlights alike are
the best source of light that the town is going to get. Sure, the
skies were clear and this far from a city the stars were clear in the
sky, but the moon was thin and not offering much for light-- not like
when it's full and strong enough to cast shadows on it's own accord.
Drew liked the moon best when it was full. Call it nostalgia.
Tonight,
though, RiSE Bakery is closing down, and that's made apparent by floors
being swept and cleaned, chairs perhaps up on tables, lights dimmer...
Or simply the hours on the windows declaring that business should be
wrapping up soon. Regardless, the door swings open casually and Drew
Roscoe walks in. Her stride is slow and casual, meandering even, and
she's looking about the interior of the shop with a time-killing sort of
interest.
She's dressed as casually as she ever is, favoring
jeans like she does when the months aren't summer. She's wearing her
jeans tucked into a pair of shin-high brown boots with a low square heel
on them and a big warm thick-knitted white sweater with a neckline wide
enough to be comfortable, and occasionally slip on the shoulder if
pulled in one direction more than the other. Make-up, as usual, is
scant, and her hair is in a low ponytail at the nape of her neck.
The
barista at the counter, some teenage boy that she doesn't recognize, is
greeted with a flash of a bright and friendly smile as she slides up to
the counter. "I know you're close to closing the register... But I
don't suppose I could bother you for any kind of tea you've got back
there?" There's a pause, and a follow-up of: "And Mr. Novak, if you
don't mind."
Jake NovakWith the nights coming
sooner and growing colder, a place like the bakery only seems to appeal
more. The lights inside are warm, and low, and reflect off of loaves in
baskets, rolls under glass domes. It is warm inside, even when the
ovens are off; the air smells like bread, like wheat, like hot stones,
like vanilla and cinnamon. Coffee. Even now, as the kid behind the
counter is cleaning up, anticipating the end of the workday, it smells
something like home in there. Someone's home, at least. Or maybe just
the dream of what home is supposed to be.
He looks up, shaking a
shag of hair off of his brow to see more clearly. They aren't usually
that busy to begin with; the town is in disarray and some of its
residents are in despair. Yet there's the new vet in town, the new
bakery-slash-cafe, and corporate interests. Maybe it'll revitalize.
But for now, most business at RiSE is done in the morning and early
afternoon, not the night.
"Sure, that's okay," says the kid, who
doesn't wear a nametag because Mr. Novak doesn't like nametags, who
doesn't wear a uniform because Mr. Novak doesn't like uniforms, either.
He puts down the carafe he's just finished rinsing out and turns for a
low wooden box on the counter behind him, opening the lid as he sets it
on the counter between them. The interior of the box is softly lined,
and contains thirty-six individual compartments, each one stocked with
tea bags. "We have some loose leaf, too, if you like that better," the
kid says.
Near them, though at the back of the store, the door
leading into the kitchen opens while Drew is looking at the tea
selection. The kid never went to summon his boss, but Drew may very
well have noticed a few small black domes upon the ceiling by now. The
kid didn't have to.
Now would be a good time for a suave
gentleman, or a gentleman at all, to instruct his employee to go ahead
and close the register. Don't charge my neighbor, of course not. On
the house. So on. Jake does not offer anything of the kind. He and
she are square. But as he exits the kitchen, wearing nothing more
interesting than jeans and a charcoal-gray pullover that zips up the
neck, he does look at her with some measure of interest -- or mere
curiosity -- that was not there when he happened upon her doorstep more
than a week ago.
No, not curiosity.
Calculation.
"Ms.
Roscoe," he says, his voice rough from apparent disuse -- or perhaps an
oncoming cold, "I was beginning to think the raccoons had gotten to the
box on your porch before you did." He looks at the barista, nods his
head. "Go ahead and finish the rest, Trevor. I'll ring her up." It is
not the most subtle scram one has ever heard, but then, it doesn't seem like Jake cares terribly much about subtlety.
Drew Roscoe"Well
go figure," Drew says with an expression that's both pleased and
surprised when the boy pulls a box with a wide variety of tea
available-- apparently a lot more than what she was expecting. He
offered loose-leaf, and she shook her head and answered with a tone of
voice that sounded like a chuckle, but was level words instead. "No,
that'll be alright. Just a citrusy tea of some sort to go, please.
Like lemon or orange, whichever you think's better." Again, the boy
gets that winning smile, and she's reaching in her back pocket for a
fold of cash that she carried with her in favor of a purse or full-sized
wallet tonight.
The back door into the kitchen opened up and,
without the kid having to call out or go fetch, Jake stepped out of the
back of house and into the front. He, like the barista-boy, was dressed
casually and simply, though that did nothing at all to detract from the
Tall Dark and Handsome that he had going on about him (he'd probably
manage that with shitty shoes and a threadbare band T-shirt too, damn
handsome bastards). He didn't try to stop Drew from paying or insist
that the tea was on the house, and Drew didn't seem to be anticipating
that he would anyways.
The kid (Trevor, apparently) was told to
finish the rest, probably meaning whatever closing chores that he was
doing before she'd come into the bakery, and Jake came to the counter
instead to help what was probably going to be his last customer of the
night-- also his neighbor, as it stands. His greeting is met with a
smile that shows more in her eyes than in her mouth, and she holds a
five dollar bill to him to pay for the tea. As the money's held out,
extended for him to take, she answers.
"Oh no, I'm pretty sure I
found it soon enough that it wasn't compromised by wildlife. Thank you,
by the way. I'm pretty sure that the butter didn't yield that much
product, but... yeah. Thanks. Those croissants were really good."
There's a pause, albeit brief, and she presses on away from simple easy
niceties and toward the content on the business card that had done a
fine job of catching her interest. "So, you've led me to believe that
you're something of a sharpshooter yourself."
Jake NovakThe
boy, Trevor his name is, starts going through the teas for Drew, but
that's when Jake comes in. Trevor is smiling, and truthfully, it's hard
not to. Drew's smile is, yes, in a word: winning. It's entirely
possible that the seventeen year old will have a crush on her just from
one of those smiles, and there's not much Drew can do about that. She's
a charmer. It seems to come naturally.
Jake, on the other hand,
jerks his head and tells his employee to get lost in a reasonably
pleasant way, walking behind the counter from the kitchen door. Trevor,
bless his heart, had already picked out the tea, which is an
orange-cranberry something without caffeine. Jake cannot be bothered
with the espresso machine, but he knows how to brew tea, so he goes
about the semi-thoughtless motions of setting it on to steep before
doing as he said and ringing Drew up.
Trevor has ushered himself
out, exit stage right, entering the kitchen. Jake looks over at Drew as
he gives her the change she's due. Tea is simple. Tea is cheap. Tea
is, at a cafe, sold at a ridiculous mark-up. It's hard to imagine Jake
apologizing for that, and he doesn't. He quirks a half-smile at her
guess that the butter she gave him hardly could have ended up in that
many pastries, which is true. She liked the little croissants. That,
perhaps strangely, earns a real smile. It's smaller than the wry one,
the half-smirk one, the bemused one. It isn't cold or thin or aloof.
But it is briefer than any other expression, a finger-snap of a moment
on his face before it becomes something else.
"I wasn't aware I'd
given an impression that was quite that laudatory," Jake counters,
leaning on the counter while the tea infuses the hot water. "But I do
consider it valuable to stay in practice. And if I have a reasonably
nearby neighbor who knows her way around a forty-five, I figure it's
best to ply her with pastries and get on her good side."
He holds up both hands. "I'm just being honest."
And that is a lie.
Drew RoscoeTrevor
vanishes into the kitchen, leaving Drew and Jake in the front of the
bakery standing on opposite sides of the counter. They make
conversation while money changes hands one direction and back in the
other and while tea brews as well. Drew directed the spare dollars and
coins from the broken five into whatever tip jar may be available and
made herself comfortable by tucking one hip at the edge of the counter
and standing leaned against it, far enough off to the side that even
with her flank in Jake's direction she's still able to comfortably turn
her head to watch him, to make appropriate eye contact while they spoke.
The
genuine qualities of his smile were noted, particularly noticeable by
how his face looked when they flashed away, but she doesn't comment on
them or seem to react in any way other than the upward pull of being
pleased with one's self at the right corner of her lips.
"Well,
that's not too off the mark," she said in a tone that's only easily
described as friendly. "You don't have to worry, though, not unless you
come skulking into my yard in the middle of the night, all shadows and
suspect."
That would have been a lie a few years ago, when she was
new to the world of monsters and bad guys and was too quick to assume
that everyone was a danger, and therefore incredibly trigger-happy.
People who turned into her best and closest friends, allies and loved
ones she had sent bullets flying toward (and into) before, after all.
These days she was steadier, both of mind hand and heart. She was more
deliberate and didn't spook nearly as easily. Chicago had aged her, and
that was why, here and now, she was beamingly pleasant but still found a
way to come across as an old soul every now and again.
Jake NovakThere is no tip jar. Mr. Novak doesn't like tip jars, either. So whatever happens to the change happens, and he ignores it.
Drew Roscoe
"And
that, Mr. Novak, is precisely why the door got answered with a gun in
hand." Without a tip jar to call home, Drew's change finds its way
crumpled and jammed into her pocket. With hands free of tasks to
complete, waiting comfortably for the tea to finish steeping, Drew eased
into a more comfortable position, arms crossing loose over her chest
and hands tucking under her arms.
"I'm not so trigger happy
anymore. I'm out of the big city. I think the better word for these
days would be 'cautious'. Most that I should have to worry about
shooting at is foxes. But, hey, beware of Monsters, right?" She
grinned a bit at her comment, like she was making a joke that she was
used to using as an inside joke, but didn't have anybody on the inside
to appreciate its reference with her.
Her tongue swiped briefly at
her lips, moistening them where they felt dry, and she pressed on to
the next: "I don't know of any proper shooting ranges around here, but
there's plenty of room behind my house. I could set up targets sometime
and we could place bets on who's better at their game?"
Jake NovakJake lifts his eyebrows at her answer to that. The look is that of a challenger, but one who is admitting: touché.
He turns, lifting tea bag from tea and disposing of it, plucking a
saucer from the same shelf the cup was taken from and handing it over to
her. "Let's sit a while," he says, nodding a head to one of the
couches in the place. It isn't the large sectional one near the front,
near the windows, but one of those cordoned off from exterior view by a
wall that juts out into the cafe, creating one of many pockets, one of
many spots to make one's own.
He comes out from behind the counter
then, listening to Drew talk about once being trigger happy, once
living in some big city, becoming cautious. He seems thoughtful. She
says beware of monsters, and he doesn't bat an eyelash. "Or raccoons,"
he offers, apparently not 'getting it' and supplying his own, perhaps
more immediate, inside joke.
Jake lowers himself onto the couch
easily, lounging with as much relaxation as he might in his own home,
though this isn't far from it. He spends more time here than he does at
his house. He drapes his arm over the back of the couch, legs
stretched in front of him. "There's one near Charlottes...ville.
Charlottestown. Whatever it is. Not a bad one. It's more of a gun
club, so if you're not a regular they try to get chummy."
He has
nothing to drink, nothing to occupy his mouth or his hands with, and
does not seem averse to things like direct eye contact or physical
stillness. It would be boldness, brashness, in someone younger or
someone less sure. He simply appears not to think of self-consciousness
as a possibility. It is no longer even a hurdle to be leapt over. To
some it makes him intimidating. To others it makes him seem solid.
Steady. To others still, it makes him seem almost inhuman. Too cold,
too unperturbable.
But tonight, at least, there's a break in it.
It showed when Drew mentioned the miniature chocolate-filled croissants
and he smiled like that, a flicker of warmth and a hint of ache. It
shows in how relaxed he seems. When he was at her door he was almost
awkward, he was so stiff. He seems looser right now, for god knows what
reason.
"I don't really go in for gambles," says the man who
started a bakery in a town in the middle of nowhere that was so recently
almost destroyed. "But I'd be up for some target practice. Might want
to warn the other neighbors. The ones that haven't run out of town."
Drew RoscoeJake
is completely at home here in his bakery, and he certainly should be.
It was his, after all. Not as in he was the manager there and no one
was there to tell him what to do, but it was his. He ran the business,
built it up. That, to Drew, explained the difference between the almost
angrily awkward person that had been at her door asking for butter and
the man that's comfortable on his couch sitting beside Drew, who had
taken her cup and saucer of tea along with her to the corner he'd led
them to.
This was his domain, his turf, and his territory. That was something she understood and respected.
The
mention of a gun's club is answered with a small laugh and a shake of
her head. "Oh, I learned my lesson about trying to join Boys Clubs a
while ago. There's no sense in it-- they tend to either treat me more
delicately or try too hard to get out on a date with me. So I just
steer clear of that kind of setting."
As for the other neighbors, the ones that haven't been run out of town....
"I'll knock on some doors and let 'em know."
She
doesn't comment on the going-ons in the town as of late. She is either
utterly unaware (impossible!) or feels inclined not to discuss the
situation. But then she does seem very much the kind of person who
looks forward and refuses to let anything unfortunate interfere with her
rose-tinted (apparently) view on the future.
"Should we set a day
then?" She leaves this question by looking at him curiously and
sipping at her tea to prevent further babbling.
Jake NovakThe
building was empty and damaged when he bought it. He showed up at the
meeting Sterling-Fisk held still wearing clothes paint-splattered and
dusty from working alongside contractors and construction. When one
says he built it up, it should be understood that this is
literal. Everything here is his. He hand-chose the people, the paint,
the machinery. He hand-makes everything edible here that doesn't come
in a cup, and so far has hired and fired and replaced at least one
assistant because she didn't suit him in his kitchen.
Territory. Jake owns this one. Drew doesn't need that explained.
"I
can assure you, the vast majority of the people I've seen at this club,
male and female, would most certainly treat you delicately and very
likely hit on you." He inclines his head as though to say but of course: "It's because you're short."
Trevor
comes hesitantly out of the kitchen, holding his jacket in one hand,
and Jake's eyes flick from Drew to the teenager. He starts to say
something about the register and Jake just shakes his head. It isn't
dismissive, isn't annoyed; just forestalling more yammering. "I'll
count it out. Just drive safe; I'll see you tomorrow."
Trevor
gives a small mock-salute, which wrings a wry grin from Jake, and nods
to Drew. "See you around, miss," he says to her, and heads out the
front.
"Go ahead and lock it up," Jake calls after him, and Trevor
glances back at the two of them, obviously making assumptions because
he is seventeen, but he nods and does so. The sign on the front door
flicks from Open to Closed, the primary lock twisting before he lets
himself out. Jake is already turning back to his neighbor. "I'm free
tonight, if you're not averse to night shooting," he says with a shrug.
"Truthfully, I'm not all that concerned about neighbors. Most of the houses I passed in between our two were empty."
Drew RoscoeThe
way that Jake assured Drew that she was absolutely correct in her
assumption about the gun club is met with a laugh that was full and
warm, much like the cup of tea that Drew was sipping at. Not loud, not
boisterous, but solid nonetheless. "Of course it is. The world loves
stubby legs, they can't help themselves."
The teenager comes out
from the back, hesitant, and starts to (probably) ask if he should close
the registers or do anything else. Jake cuts him off, somehow without
being rude about it, and tells the kid to go home. He gives his
farewell, and Drew answers it with a smile and: "Night Trevor. Good
call on the tea."
Go ahead and lock it up.
Trevor
answers the... suggestion? order? what would you call that? by looking
suspicious and assumptive but complying all the same. So the sign is
switched to closed, the lock is turned, and Jake is suggesting tonight.
Drew chuckles some at the idea and shakes her head. "I've got no
targets set up, and it's getting to be pretty late into the night.
Being out of the city has caused me to lose my night-owl schedule, and
I'm in bed by ten o' clock on most nights anyway." Her explanation is a
little apologetic, mostly polite. But where it is apologetic, it is
genuinely so. That's the trick to this girl, nothing seems to be false
about her. She seems like the kind of girl that would floor a room full
of people with abrupt and out-of-place honesty if put in the right
situation to do so. She probably wouldn't even realize what she'd done.
"...Tomorrow night?"
Jake NovakAs
though to check the veracity of her claim, Jake looks at Drew's legs
for a moment, tipping his head, thoughtful. Then he rolls his eyes,
saying not a word and not needing to in order to make his point, and
looks back at her. "Probably a good idea," he says, ever so agreeable,
ever so affable. "I'm a bit tired myself, tonight."
A bit tired.
He doesn't mention that he's just worked an eighteen-hour day on top of
an eighteen-hour day and the most he's slept was for a few hours when
he locked his office door and napped just so he wouldn't end up killing
Meghan, the morning barista, for breathing too loud or some fool thing
like that. He doesn't mention these facts, nor the cause of them, and
truth be told, despite the extremity of his sleep deprivation, he looks
reasonable. Used to it.
But he admits that he's tired. Probably
for the best that he doesn't slap a firearm into his hand and shoot a
target he can barely see in the dark. There is simply no number of
croissants that would make up for that.
Speaking of those
croissants. The little ones, the ones filled with molten dark
chocolate. There are a few, still, under a glass dome on the counter.
Drew probably saw them there. They had a little placard, upon which was
written: Lenka's Fancy.
"Tomorrow night," he confirms,
with a deep incline of his head. "I'll head over after we close, if
that's all right with you. I'll even bring snacks."
Drew RoscoeThe
brown-eyed Kinfolk had been sipping at her tea intermittantly,
obviously enjoying it without having to say so. Jake no doubt knew the
quality of his products, he didn't need to be informed that he had good
taste. She just let the drink warm her hands and belly in a soothing
and pleasant way-- not at all like how alcohol did, that kind of warm
belly was a very different sort indeed.
"Tomorrow it is." Her
smile is like a stamp on the agreement that made it official. "I'll
make sure the targets are up and there's enough light that we can
actually see what the hell we're doing." The cup is mostly finished,
save for a cooled final two sips at the bottom, and Drew glances about,
obviously hunting for a place for dishes to go. With the date set she
seems to have switched into 'ready to leave' mode. It was past ten o'
clock by this time, and Drew was looking forward to getting home, into
slippers and pajamas, feeding the Wuggly Ump (her fish) and lounging
some before bed. Jake had announced that he was a bit tired too, and
the wear on his face and shadows under his eyes only confirmed that and
told Drew it would be best to let the man get some sleep before work
tomorrow.
"Ah, where should this go?" She asks after a moment rather than struggling to decide for herself where dishes belong.
Jake NovakJake
laughs to that. "I may have to leave early, then. But I think Trevor
can handle it. He's a good kid. And the nights are quiet around
here." He gives a half-shrug. He's trusting; been in town a matter of
weeks and he's going to trust a seventeen year old to run the shop and
close up by himself during the last few hours. Maybe he's just an
optimist.
He sees her eyes casting about and sits up, reaching
over to take the cup and saucer. "I'll take care of it," he says, which
has the quality of being a phrase he uses often. There's a firmity
there, a certainty, that takes no effort. It is simply a part of him,
and the words come easy.
Jake sets his feet on the floor and rises
in that same motion, her cup and saucer in one hand. "I'll walk you
out," he adds, amicable as you please. Such a good neighbor. That
nice, sort of quiet man who works too hard and owns the town bakery.
That is all he is for now, because it isn't uncommon to find men in this
area who are gun enthusiasts of one kind or another. Perhaps he's a
bit boring for all that, but sometimes boring can be calming. Boring,
and normal, can be a... break.
Drew RoscoeThe cup
and saucer are taken by Jake, who doesn't invade space but doesn't seem
afraid of reaching toward someone to close distance if they're a second
too slow for him. Drew relinquishes the dishes to Jake's larger hands,
and he stands with an offer to walk her to the door. The Kinfolk rises
along with him, offering a 'Hey, thanks,' in return for his stating
that he'll handle the dishes.
She wouldn't use the words 'boring'
to describe Jake on her own accord. He was calm and collected, but she
didn't know him well enough to call him predictable, and predictable was
a key ingredient in being boring. Plus she was fairly sure that there
were layers beyond the calm Tall Dark Handsome Baker-man front. Not
because she thought she'd seen special glimpses of them or because she
was particularly intuitive (though she actually kind of was), but
because he was human, and humans, contrary to popular belief, were not
all simple single-faceted creatures.
So they'll walk together to
the front door, Jake on whatever work shoes he's wearing, Drew with a
muted 'clck-clck' of her square boot heels on the floor. When they get
to the door and Jake has unlocked it (and probably even opened it,
gentleman that he is), Drew's tugging her sweater sleeves down to cover
her hands and fingers for the walk back home. Because, well, she
doesn't live far enough from Browntown to justify driving, if you ask
her. "Tomorrow night, then. I'll take a guess at what beer you
prefer." And, with a grin, she's off before he gets a chance to ruin
her guessing game.
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